Mi destino es la lengua castellana,
El bronce de Francisco de Quevedo,
Pero en la lenta noche caminada,
Me exaltan otras músicas más íntimas.
Alguna me fue dada por la sangre-
Oh voz de Shakespeare y de la Escritura-,
Otras por el azar, que es dadivoso,
Pero a ti, dulce lengua de Alemania,
Te he elegido y buscado, solitario.
A través de vigilias y gramáticas,
De la jungla de las declinaciones,
Del diccionario, que no acierta nunca
Con el matiz preciso, fui acercándome.
Mis noches están llenas de Virgilio,
Dije una vez; también pude haber dicho
de Hölderlin y de Angelus Silesius.
Heine me dio sus altos ruiseñores;
Goethe, la suerte de un amor tardío,
A la vez indulgente y mercenario;
Keller, la rosa que una mano deja
En la mano de un muerto que la amaba
Y que nunca sabrá si es blanca o roja.
Tú, lengua de Alemania, eres tu obra
Capital: el amor entrelazado
de las voces compuestas, las vocales
Abiertas, los sonidos que permiten
El estudioso hexámetro del griego
Y tu rumor de selvas y de noches.
Te tuve alguna vez. Hoy, en la linde
De los años cansados, te diviso
Lejana como el álgebra y la luna.
Jorge Luis Borges
El oro de los tigres, 1972
Wednesday, February 9, 2011
Fonoteca y música de JM Recillas: 50th Aniversary: The Beatles complete discography
Fonoteca y música de JM Recillas: 50th Aniversary: The Beatles complete discography: "Hoy se conmemoran los 50 años de que The Beatles diera su primer concierto en el ya desaparecido, y después reconstruido club inglés The C..."
Monday, February 7, 2011
Anna Moffo "Un bel di vedremo" Madama Butterfly
Please allow your heart to be open... but mainly backed up with your mind... as soon as you get into this building of emotions you will start feeling what it was meant to be... Opera.
Thursday, February 3, 2011
YES - Sounding Out (BBC Colour Show) 1971 [DVD 5]
Marcadores: .UNITED KINGDOM / U.K. / REINO UNIDO, _BOOTLEG, _DVD, Yes
Video: MPEG2 Video 720x480 (4:3) 29.97fps 9640Kbps
Audio: Dolby AC3 48000Hz 224kbps stereo
Size: 980 Mb
Yes 1971 Sounding Out.part1.rar (160 MB)
Yes 1971 Sounding Out.part2.rar (160 MB)
Yes 1971 Sounding Out.part3.rar (160 MB)
Yes 1971 Sounding Out.part4.rar (160 MB)
Yes 1971 Sounding Out.part5.rar (160 MB)
Yes 1971 Sounding Out.part6.rar (160 MB)
Amazing version of a Mozart's Opera
Wolfgang Amadeus Mozart – Le Nozze Di Figaro
Posted on 30/05/2010 by jazzman2008
Wolfgang Amadeus Mozart – Le Nozze Di Figaro
Recorded in Berlin in 1968.About this opera:
Whatever the merits of sets made since, this one is ensured a revered place in the pantheon of Figaro recordings. Made in 1968, when Bohm was enjoying an Indian summer, it was based on a production by Sellner at the Deutsche Oper in Berlin and indeed the production was supervised by Sellner. Since its premiere under Bohm in 1963, he had led many revivals including some performances with this cast, around the time the recording was made, which surely accounts for this sense of a true ensemble felt all round and of a thought-through interpretation. The crisp, clear, yet spacious recording, seldom matched on more recent versions, only enhances the authority and warmth of the reading. Bohm radiates the wisdom of his years of attendance on the score without any slackening of his rhythmic grip or his demand for precision of execution. It was also part of Bohm’s genius to weld a heterogenous cast into a convincing whole. No need at this stretch of time to commend the singers individually; each has complete command vocally and dramatically of his or her role though one must just mention Janowitz’s dignified yet lively Countess and Mathis’s animated, alluring Susanna.The Artists:
Chor Und Orchestra Der Deutschen Oper Berlin
Karl Böhm: conductor
+
Dietrich FIscher-Dieskau: Il Comte Di Almaviva
Gundula Janowitz: La Contessa Di Almaviva
Edith Mathis: Sussana
Herman Prey: Figaro
Tatiana Troyanos: Cherubino
Patricia Johnson: Marcellina
Martin Vantin: Don CurzioTrack List:
cd1:
01. Overture (4:14)
02. Act 1, Duetto – Cinque…dieci…venti….trenta… (3:25)
03. Duettino – Se a caso madama la notte ti chiama (4:07)
04. Cavatina – Bravo, signor padrone! (4:27)
05. Aria – La vendetta, oh, la vendetta (3:55)
06. Duettino – Via, resti servita, madama brillante (4:00)
07. Aria – Non so piu cosa son, cosa faccio (6:19)
08. Terzetto – Cosa sento! tosto andante (5:21)
09. Coro – Giovanti liete, fiori spargente (4:37)
10. Aria – Non piu andrai, farfallone amoroso (3:52)
11. Act 2, Cavatina – Porgi, amor (8:47)
12. Canzona – Voi che sapete (4:05)
13. Aria – Venite…inginocchiatevi (3:13)
cd2:
01. Recitativo – Quante buffonerie! (3:28)
02. Terzetto – Susanna, or via, sortite (4:08)
03. Duettino – Aprite, presto, aprite (2:32)
04. Finale – Esci, ormai, garzon malnato (7:54)
05. Signori, di fuori son già i suonatori (9:12)
06. Voi signor, che giusto siete (4:03)
07. Recitativo – Che imbarazzo è mai questo (2:25)
08. Duetto – Crudel! perchè finora farmi languir cosi? (3:30)
09. Recitativo ad Aria – Hai gia vinta la causa! – Vedrò, mentr’io sospiro (6:46)
10. Sestetto – Riconosci in questo amplesso (6:24)
11. Recitativo ed Aria – E Susanna non vien! – Dove sono i bei momenti (7:36)
12. Duettino – Su l’aria / Che soave zeffiretto (3:54)
cd3:
1. Coro – Ricevete, o padroncina (3:35)
2. Finale – Ecco la marcia… andiamo (6:16)
3. Act 4, Cavatina – L’ho perduta (3:56)
4. Aria – Il capro e la capretta (5:28)
5. Aria – In quegli anni in cui val poco (4:04)
6. Recitativa ed Aria – Tutto e disposto – Aprite un po’ quegli occhi (5:01)
7. Recitativo ed Aria – Giunse alfin il momento – Deh vieni, non tardar (5:32)
8. Finale – Pian pianin le andrò più presso (11:35)
9. Gente,gente, all’armi, all’armi (5:07)
Wolfgang Amadeus Mozart – Le Nozze Di Figaro
Recorded in Berlin in 1968.
About this opera:
Whatever the merits of sets made since, this one is ensured a revered place in the pantheon of Figaro recordings. Made in 1968, when Bohm was enjoying an Indian summer, it was based on a production by Sellner at the Deutsche Oper in Berlin and indeed the production was supervised by Sellner. Since its premiere under Bohm in 1963, he had led many revivals including some performances with this cast, around the time the recording was made, which surely accounts for this sense of a true ensemble felt all round and of a thought-through interpretation. The crisp, clear, yet spacious recording, seldom matched on more recent versions, only enhances the authority and warmth of the reading. Bohm radiates the wisdom of his years of attendance on the score without any slackening of his rhythmic grip or his demand for precision of execution. It was also part of Bohm’s genius to weld a heterogenous cast into a convincing whole. No need at this stretch of time to commend the singers individually; each has complete command vocally and dramatically of his or her role though one must just mention Janowitz’s dignified yet lively Countess and Mathis’s animated, alluring Susanna.
Whatever the merits of sets made since, this one is ensured a revered place in the pantheon of Figaro recordings. Made in 1968, when Bohm was enjoying an Indian summer, it was based on a production by Sellner at the Deutsche Oper in Berlin and indeed the production was supervised by Sellner. Since its premiere under Bohm in 1963, he had led many revivals including some performances with this cast, around the time the recording was made, which surely accounts for this sense of a true ensemble felt all round and of a thought-through interpretation. The crisp, clear, yet spacious recording, seldom matched on more recent versions, only enhances the authority and warmth of the reading. Bohm radiates the wisdom of his years of attendance on the score without any slackening of his rhythmic grip or his demand for precision of execution. It was also part of Bohm’s genius to weld a heterogenous cast into a convincing whole. No need at this stretch of time to commend the singers individually; each has complete command vocally and dramatically of his or her role though one must just mention Janowitz’s dignified yet lively Countess and Mathis’s animated, alluring Susanna.
The Artists:
Chor Und Orchestra Der Deutschen Oper Berlin
Karl Böhm: conductor
+
Dietrich FIscher-Dieskau: Il Comte Di Almaviva
Gundula Janowitz: La Contessa Di Almaviva
Edith Mathis: Sussana
Herman Prey: Figaro
Tatiana Troyanos: Cherubino
Patricia Johnson: Marcellina
Martin Vantin: Don Curzio
Chor Und Orchestra Der Deutschen Oper Berlin
Karl Böhm: conductor
+
Dietrich FIscher-Dieskau: Il Comte Di Almaviva
Gundula Janowitz: La Contessa Di Almaviva
Edith Mathis: Sussana
Herman Prey: Figaro
Tatiana Troyanos: Cherubino
Patricia Johnson: Marcellina
Martin Vantin: Don Curzio
Track List:
cd1:
01. Overture (4:14)
02. Act 1, Duetto – Cinque…dieci…venti….trenta… (3:25)
03. Duettino – Se a caso madama la notte ti chiama (4:07)
04. Cavatina – Bravo, signor padrone! (4:27)
05. Aria – La vendetta, oh, la vendetta (3:55)
06. Duettino – Via, resti servita, madama brillante (4:00)
07. Aria – Non so piu cosa son, cosa faccio (6:19)
08. Terzetto – Cosa sento! tosto andante (5:21)
09. Coro – Giovanti liete, fiori spargente (4:37)
10. Aria – Non piu andrai, farfallone amoroso (3:52)
11. Act 2, Cavatina – Porgi, amor (8:47)
12. Canzona – Voi che sapete (4:05)
13. Aria – Venite…inginocchiatevi (3:13)
cd2:
01. Recitativo – Quante buffonerie! (3:28)
02. Terzetto – Susanna, or via, sortite (4:08)
03. Duettino – Aprite, presto, aprite (2:32)
04. Finale – Esci, ormai, garzon malnato (7:54)
05. Signori, di fuori son già i suonatori (9:12)
06. Voi signor, che giusto siete (4:03)
07. Recitativo – Che imbarazzo è mai questo (2:25)
08. Duetto – Crudel! perchè finora farmi languir cosi? (3:30)
09. Recitativo ad Aria – Hai gia vinta la causa! – Vedrò, mentr’io sospiro (6:46)
10. Sestetto – Riconosci in questo amplesso (6:24)
11. Recitativo ed Aria – E Susanna non vien! – Dove sono i bei momenti (7:36)
12. Duettino – Su l’aria / Che soave zeffiretto (3:54)
cd3:
1. Coro – Ricevete, o padroncina (3:35)
2. Finale – Ecco la marcia… andiamo (6:16)
3. Act 4, Cavatina – L’ho perduta (3:56)
4. Aria – Il capro e la capretta (5:28)
5. Aria – In quegli anni in cui val poco (4:04)
6. Recitativa ed Aria – Tutto e disposto – Aprite un po’ quegli occhi (5:01)
7. Recitativo ed Aria – Giunse alfin il momento – Deh vieni, non tardar (5:32)
8. Finale – Pian pianin le andrò più presso (11:35)
9. Gente,gente, all’armi, all’armi (5:07)
cd1:
01. Overture (4:14)
02. Act 1, Duetto – Cinque…dieci…venti….trenta… (3:25)
03. Duettino – Se a caso madama la notte ti chiama (4:07)
04. Cavatina – Bravo, signor padrone! (4:27)
05. Aria – La vendetta, oh, la vendetta (3:55)
06. Duettino – Via, resti servita, madama brillante (4:00)
07. Aria – Non so piu cosa son, cosa faccio (6:19)
08. Terzetto – Cosa sento! tosto andante (5:21)
09. Coro – Giovanti liete, fiori spargente (4:37)
10. Aria – Non piu andrai, farfallone amoroso (3:52)
11. Act 2, Cavatina – Porgi, amor (8:47)
12. Canzona – Voi che sapete (4:05)
13. Aria – Venite…inginocchiatevi (3:13)
cd2:
01. Recitativo – Quante buffonerie! (3:28)
02. Terzetto – Susanna, or via, sortite (4:08)
03. Duettino – Aprite, presto, aprite (2:32)
04. Finale – Esci, ormai, garzon malnato (7:54)
05. Signori, di fuori son già i suonatori (9:12)
06. Voi signor, che giusto siete (4:03)
07. Recitativo – Che imbarazzo è mai questo (2:25)
08. Duetto – Crudel! perchè finora farmi languir cosi? (3:30)
09. Recitativo ad Aria – Hai gia vinta la causa! – Vedrò, mentr’io sospiro (6:46)
10. Sestetto – Riconosci in questo amplesso (6:24)
11. Recitativo ed Aria – E Susanna non vien! – Dove sono i bei momenti (7:36)
12. Duettino – Su l’aria / Che soave zeffiretto (3:54)
cd3:
1. Coro – Ricevete, o padroncina (3:35)
2. Finale – Ecco la marcia… andiamo (6:16)
3. Act 4, Cavatina – L’ho perduta (3:56)
4. Aria – Il capro e la capretta (5:28)
5. Aria – In quegli anni in cui val poco (4:04)
6. Recitativa ed Aria – Tutto e disposto – Aprite un po’ quegli occhi (5:01)
7. Recitativo ed Aria – Giunse alfin il momento – Deh vieni, non tardar (5:32)
8. Finale – Pian pianin le andrò più presso (11:35)
9. Gente,gente, all’armi, all’armi (5:07)
.. - 
001 Bob Dylan - Like A Rolling Stone.mp3 11938 KB 
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